Production Sequence
Candidates for the Bachelor of Fine Arts degree in Film and Television Production are required to take , , and . These courses are taken in the first two years of the program in preparation for the next phase of the production sequence, .
introduces contemporary concepts of production, emphasizing the variety of contemporary media and significant related concepts. Students will create mini-projects using laptops, phones and networks.
introduces the interrelationship of visuals, sound and editing in cinematic communication. Students participate in directing and producing workshops as well as individual and group projects. Approximately $1,000 should be budgeted for miscellaneous expenses and insurance fees.
In , students explore the basic concepts of directing in television, documentary and dramatic narrative by working with actors, documentary production and the creation of short television projects.
In , students study the aesthetics and tools of the major disciplines of cinematic arts: producing, cinematography, sound and editing.
is the second phase of the production sequence. In this workshop students work in small crews, learning to collaborate and explore the expressive principles of visual and audio communication; idea development and realization using image, movement, pace, the spoken word and other sounds. Most equipment and materials are provided by the school; however, approximately $2,000 should be budgeted for miscellaneous expenses and insurance fees.
To qualify for enrollment in , students must fulfill all requirements outlined in the guidelines distributed in .
Following , students must take , and refine their areas of interest by taking advanced-level practicum courses within the major disciplines of production: directing, editing, cinematography, sound, producing and production design. Thereafter students complete the final phase of the production sequence by taking one of the following courses: , .
In , production students form crews in which directors, producers, cinematographers, editors and sound designers collaborate to produce, shoot, edit and deliver a fictional narrative, documentary or experimental project in one semester.
Equipment and facilities are provided by the school. There are extra personal expenses associated with all production workshops.
To qualify for enrollment in , students must fulfill all requirements outlined in the guidelines distributed in .
is a class in which students will produce a half-hour situation comedy pilot in one semester.
is an intensive group workshop experience in the collaborative process of producing an episodic television drama.
is an intensive workshop where students shoot and finish documentary projects up to about 25 minutes in length.
, , , , , , , and cannot be waived or substituted with another course or transfer credit under any circumstances.
Additional Requirements
Grade Point Average Requirements
A minimum grade of C, 2.0 (A = 4.0), must be earned in all required and prerequisite courses. A grade of C- (1.7) or lower will not fulfill a major requirement.
Students who do not earn the minimum grade of C (2.0) in , , , and after repeating these requirements will be disqualified from the program.
Limitations on Enrollment
Registration in graduate-level courses (numbered 500) for undergraduate credit requires prior approval from the School of Cinematic Arts.
Curriculum Review
Cinematic Arts majors are expected to meet with an adviser every semester to review their progress. Contact the Cinematic Arts Student Services Office (SCB 105), (213) 740-8358, for an appointment.
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